The Art Nouveau style was very popular in the pavilions of decorative arts. A few of the major structures built for the Exposition were preserved, including the Grand Palais and the Petit Palais, and the two major bridges, the Pont Alexandre III and the Passerelle Debilly, though the latter was later dismantled and moved a few dozen meters from its original placement.[55]. [26], The Korean pavilion, designed by Eugne Ferret, was mostly stocked by French Oriental collectors, including Victor Collin de Plancy, with a supplement of Korean goods from Korea. The exhibition lost a grand total of 82,000 francs after six months in operation. Light from the sky was sent into the tube by a movable 2 metres (6ft 7in) mirror. The French Emperor Napoleon III attended and was deeply impressed. The water tanks were each 38 metres (125ft) long, 18 metres (59ft) wide and 6.5 metres (21ft) deep, and contained a wide selection of exotic marine life. 2, 1-14. The architect of the monument overall was Ren Binet, although many others contributed to the constituent parts. [9] The main body of the Grand Palais housed the Exposition dcennale des beaux-arts de 1889 1900 with the paintings of French artists in the north wing, the paintings of artists from other countries in the south wing and the sculptures in the central hall, with some outdoor sculptures nearby. Other features of the optics pavilion included demonstrations of X-rays and dancers performing in phosphorescent costumes. Major structures built for the Exposition include the Grand Palais, the Petit Palais, the Pont Alexandre III, the Gare d'Orsay railroad station and the entrances of Paris Mtro stations by Hector Guimard; all of them remaining today, including two original entrances by Guimard. The Palais des Illusions created a show of optical illusions with mirrors and lighting effects. He also built the Chinese Pavilion whose wooden panelling was sculpted in Shanghai. Another very popular feature of the Palace of Optics was the giant kaleidoscope, which attracted three million visitors. During the disruption at the Fair, a Chinese procession was attacked by angered Parisians. [48], The cost of an admission ticket was one Franc. The layout of both first and second levels was modified, with the space available for visitors on the second level.[29]. [24], Sweden's yellow and red structure covered in pine shingles drew attention with its bright colours. [57], Japanese Tower of the Museums of the Far East in Laeken, Brussels, Belgium, Ceramic gateway of Svres Porcelain from the Palace of National Manufacturers, now on Square Flx-Desruelles, Hector Guimard's original Art Nouveau entrance of the Paris Mtro at Porte Dauphine Mtro Station, A 2.87 metres (9ft 5in) copy of the Statue of Liberty by Bartholdi, exhibited in 1900, placed in the Luxembourg Gardens in 1905, La Ruche, an artist's colony composed of pieces of different Exposition buildings. [28], Morocco had its pavilion near the Eiffel Tower and was designed by Henri-Jules Saladin. Producing the light for the Exposition consumed 200,000 kilograms (440,000lb) of oil an hour. One unusual aspect of the U.S. presence was The Exhibit of American Negroes at the Palace of Social Economy, a joint project of Daniel Murray, the Assistant Librarian of Congress, Thomas J. Calloway, a lawyer and the primary organizer of the exhibit, and W. E. B. [33], Quai d'Orsay-Pont des Invalides station of the moving sidewalk near the Pavilion of Italy, Viaducts of the electric train (left) and the moving sidewalk (right), The first ever trolleybuses in regular passenger service (Bois de Vincennes). The Globe Cleste was featured in an advertisement for Suchard Chocolate, The Lumire brothers, who had made the first public projections of a motion picture in 1895, presented their films on a colossal screen, 21 metres (69ft) by 16 metres (52ft), in the Gallery of Machines. The Gateway, like the Exposition buildings, was intended to be temporary, and was demolished as soon as the Exposition was finished. Of the fifty-six countries invited to participate with official representation, forty accepted, plus an additional number of colonies and protectorates of France, the Netherlands, Great Britain, and Portugal. The iron frame of the Grand Palais was quite modern for its time; it appeared light, but in fact, it used 9,000 tonnes (8,900 long tons; 9,900 short tons) of metal, compared with seven thousand for the construction of the Eiffel Tower. [40], The most celebrated actress during the Exposition was Sarah Bernhardt, who had her own theater, The Thtre Sarah Bernhardt (now the Thtre de la Ville), and premiered one of her most famous roles during the Exposition. They were built largely of wood and covered with staff, which was formed into columns, statuary, walls, stairs. It was a large hall which used mirrors and electric lighting to create a show of colorful and bizarre optical illusions. Following the accident the French government established the first regulations for the use of reinforced concrete. [2], The dancer Loie Fuller had her own theater in Paris during the 1900 Exposition. [50] The deficit was to a degree offset by the long-term additions to the city infrastructure; new buildings and bridges, including the Grand and Petit Palais, the Pont Alexander III and the Passerelle Debilly; and additions to the transport system; The Paris Mtro, the funicular railway on Montmartre, and two new train stations, the Gare d'Orsay and the Gare des Invalides, and the new facade and enlargement and redecoration of the Gare de Lyon and other stations. The illusion was aided by machinery that rocked the ship, and fans which blew gusts of wind.[35]. The Netherlands displayed the exotic culture of its crown colony, the Dutch East Indies. The Palace of Electricity was built partly incorporating architectural elements of the old Palace of the Champ de Mars from the 1889 Exposition. Continuing to pay rent for the sites became increasingly hard for concessionaires as they were receiving fewer customers than anticipated. [44] A number of events were held for the first and only time in Olympic history, including automobile and motorcycle racing, ballooning, cricket, croquet, a 200 metres (660ft) swimming obstacle race and underwater swimming. Aerial view of the Exposition including the Eiffel Tower. Andalusia In The Time Of The Moors) was a 5,000m2 (54,000sqft) Spanish-themed open air attraction with folkloric live performances at Quai Debilly, at the western end of Trocadro, on the right bank of the Seine, featuring full-scale moorish architecture reproductions from the Alhambra, Crdoba, Toledo, the Alczar of Seville and a 80m (260ft) tall reproduction of the Giralda. This is a three-story building constructed entirely out of bits and pieces of Exposition buildings, purchased at auctions by sculptor Alfred Boucher. The awards ceremony was held on 18 August 1900, and was attended by 11,500 persons. Each country paid for its own pavilion. [47], Gymnasts at opening ceremony (Bois de Vincennes), Hlne Pvost, French women's tennis champion at the 1900 Paris Olympics, the first games in which women competed, A combined Swedish-Danish team defeated France in the Olympic Tug-of-War competition, Beginning of the balloon event at the 1900 Summer Olympics (Bois de Vincennes), Another special event at the Exposition was a gigantic banquet hosted by the French President, mile Loubet, for 20,777 mayors of France, Algeria and towns in French colonies, hosted on 22 September 1900 in the Tuileries Gardens, inside two enormous tents. Behind them, in second line, were located the pavilions of Denmark, Portugal, Peru, Persia, Finland, Luxembourg, Bulgaria and Romania. An area of several dozen hectares on the hill of the Trocadro Palace was set aside for the pavilions of the colonies and protectorates of France, the Netherlands, Great Britain, and Portugal. The viewers stood on the railing of a ship simulator, watching painted images pass by of the cities and seascapes en route. Art Nouveau decoration appeared in the interiors and decoration of many of the buildings, notably the interior ironwork and decoration of the Monumental gateway of the Exposition, the Grand Palais and the Petit Palais, and in the portal of the Palace of National Industries. [30], The Grande Roue at the Paris Exposition could carry 1600 passengers at once, The Rue de l'Avenir (transl. The Palace of Furniture and Decoration was particularly lavish and presented many displays of the new Art Nouveau style. The visit continued by showing dioramas of Rome, Moscow, New York and Amsterdam and ended with a mobile panorama of a boat trip along the coast of Provence, from Marseille to La Ciotat. [22] The exhibit included a statuette of Frederick Douglass, four bound volumes of nearly 400 official patents by African Americans, photographs from several educational institutions (Fisk University, Howard University, Roger Williams University, Tuskegee Institute, Claflin University, Berea College, North Carolina A&T), and, most memorably, some five hundred photographs of African-American men and women, homes, churches, businesses and landscapes including photographs from Thomas E. [9] During the Fair, the Petit Palais housed the Exposition rtrospective de l'art franais des origines 1800. Retrieved from: Srpskohrvatski / , Mexico at the 1900 Universal Exhibition in Paris, Exposition universelle internationale de 1900 Paris. [47] The dinner was prepared in eleven kitchens and served to 606 tables, with the orders and needs of each table supervised by telephone and vehicle. Pavilion of Italy by Carlo Ceppi, Costantino Gilodi and Giacomo Salvadori, Pavilion of Turkey by Adrien-Ren Dubuisson, Pavilion of the United States by Coolidge and Morin-Goustiaux, Pavilions of Bosnia and Herzegovina by Karl Panek (left) and Hungary by Zoltn Blint and Lajos Jmbor (right), Pavilion of Belgium by Ernest Acker and Gustave Maukels, Royal Pavilion of Spain by Jos Urioste Velada, Pavilion of Monaco by Jean Marquet and Franois Medecin, Pavilion of Finland by Gesellius, Lindgren, Saarinen, Russia had an imposing presence on the Trocadro hill. The globe, designed by Napolon de Tdesco, was 45 metres (148ft) in diameter, and the blue and gold exterior was painted with the constellations and the signs of the zodiac. [1][2], Planning for the 1900 Exposition began in 1892, under President Carnot, with Alfred Picard as Commissioner-General. [11] The Russian element was in the center, with statuary of the Nymphs of the Neva River holding a gilded seal of the Russian Empire. He commissioned the first Paris Universal Exposition of 1855. "[41] The play ran for nearly a year, with standing-room places selling for as much as 600 gold francs. Thanks to the power from Palace of Electricity, the fountain was illuminated at night by continually changing colored lights. The optical tube assembly was 60 metres (200ft) long and 1.5 metres (4ft 11in) in diameter, and was fixed in place due to its mass.
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