This North Carolinian, Charlie Parker-influenced tenorist started to make his mark in the 50s, where his bluesy, soulful, and increasingly funkified hard bop style resulted in a slew of notable LPs for the Blue Note label. I already suggested TOP 100 but now I am thinking TOP 125! The list is a joke, indeed. I figure that at least a few females should be known. Yet when he died in poverty, in 1894, Sax, who invented several other wind instruments besides the saxophone all of which bore his name would have seen that the saxophone had been adopted mostly by military marching bands, though his hope that it would feature prominently in classical music orchestras was not to be fully realized. You have glossed over jazzs foundations. Charles, I wish we could meet. 2) STRAIGHT LIFE-Art Pepper. To say he was so great there, given that Rollins, Coltrane and Griffin had been so inspired when they played with Monk, speaks eloquently of Rouses gifts. Agree with a few folks at the omission of Sonny Stitt, Phil Woods and Archie Shepp. Not even a peep about grover Washington jr,wow. RENE NETTO. https://www.youtube.com/watch?v=15DC-_cfh_w. But those who are moved in the now tend to ignore that. ), Paul Desmond (#27), Sidney Bechet (#25), and Johnny Hodges (#12) are vastly underrated by comparison. Can you say Rolling Stone best guitarists of all time? Such a list is always subjective. From Culver City, California, Davis given the name Lockjaw because his saxophone seemed almost glued to his mouth during his ultra-long solos could play in a range of styles, though his calling card was a driving, blues-drenched hard bop. One cannot determine whether Pepper is playing or anyone else. You know, Moody wasnt bad either. Mulligans resonant baritone sax appeared on countless recording sessions during his long and fertile career, including those by Miles Davis, Billie Holiday, and Dave Brubeck. I think Coleman Hawkins doesnt get enough credit as he was one of the few greats that successfully made the transition between two styles of music (in his case Swing and Bebop.). Though Dolphy died at a relatively young age (he was 36 when he tragically succumbed to a fatal diabetic coma), the reverberations from his pathfinding music can still be felt today. How many of the ones with an opinion play sax. Just for her solo on Its as if youd been There, she ought to be top of ANYONES list. He gave his life for music, and influenced countless younger sax players. Art Pepper would have Been far more worthy if his years werent stolen from him. I went to school with Richard at York University and have seen him numerous times at the Jazz Fest in Waterloo, Ontario. Sorry Folks. Lloyd began his solo career at the same time, and his absorption of rock elements helped his music go down well with a wider audience. Gerry Mulligan is top 20 material, surely. Coltrane rose to fame with Miles Davis group during the mid-to-late 50s, while enjoying a parallel solo career that eventually produced A Love Supreme, one of the most iconic jazz albums of all time. An ingenious improviser who weaved long, flowing skeins of melody while inserting subtle accent changes, Konitz was initially viewed as a cool school adherent, but in later years explored the avant-garde. I know some say hes not jazz. Sonny Stitt, John Klemmer, Rusty Bryant, Ronnie Cuber!!! Stitt has some of the most beautiful playing, articulation, and sound ever on a saxophone. It also reveals a number of one-off talents who have helped take the music in new directions. Harry Carney? Tied for first should be LesterYoung & Charlie Parker, Albert Ayler third. Starting out as a bar-walking blues player, he emerged as the most significant jazz saxophonist after Charlie Parker. I would urge everybody to check out one who didnt get in the little-known Tina Brooks on Blue Note. Courtney Pine, Andy Sheppard, Tubby Hayes? And I say this as an appreciator of art who has also been moved by Dave Koz. One is never going to agree with these lists but they are great fun keep them coming! Wheres Hans Dulfer? Instead, he elected to plow his own distinctive furrow. The sound he projects is substantial but also athletic and imbued with a heart-tugging soulfulness. Ask any garage band or casual listener to play or hum Mr. Magic or Winelight, and they willthose songs are known worldwide. https://www.youtube.com/watch?v=fa99q-vq4bI&list=OLAK5uy_k7M-0PcT5vtPSusxNDlUYOkkVOJEwZ5vM&index=10. If youd like to add to your jazz collection, head over to the Jazz Center Stage store today for the latest vinyl, CD and jazz merch. It was there, in 1939, where he was recruited by bandleader Lionel Hampton (who persuaded Jacquet to swap his alto for a tenor sax). Get your ears checked and your facts right. As the 50s led into the 60s, McLean began to expand his expressive palette and musical horizons by venturing into more exploratory, avant-garde territory. Or his daughter Candy Dulfer? Surprisingly, I saw no mention that Lou Donaldson played alto (thats what he played when I saw him) on many of his albums and live performances. Phil Woods, Bird, Cannonball, I agree with a lot of the choices, But you missed on of the greatest and that is KING CURTIS. But even several spells in prison couldnt taint the lyrical beauty of his distinctive alto saxophone sound, whose roots were in bebop. As Eddie did say to me, people were playing with technical ferocity which left out TONE, which is essential to emotion, soul, mood. Sonny Stitt and Tubby Hayes were absolute prodigies; nobody, but nobody, played the instrument better. Michael Brecker (3/29/49) played with his older brother Randy (11/27/45)not his younger brother as written above. WORTHLESS! Good job. The Philly-born tenorist made his mark with Art Blakeys Jazz Messengers in the late 50s, and, as well as being noted for his sublime, hard bop-inflected playing, he was a fine composer, responsible for the classic tunes I Remember Clifford, Killer Joe and Along Came Betty.. Your email address will not be published. All thinking, caring lovers of jazz are obliged to boycott these ludicrous lists paeans to the eviscerated, lobotomized American pop culture that jazz exposes and refutes. PLEASE CHECK INTO THE SAXOPHONE MAN FROM NEW ORLEANS: Chu Berry? document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); William P Gottlieb/Ira and Leonore S Gershwin Fund Collection, Music Division, Library Of Congress, Pepper Adams, Baritone Sax & Clark Terry - "Straight, No Chaser" (T. Monk), TV, Sweden, Aug. 1978, Rahsaan Roland Kirk - Volunteered Slavery (Montreux 1972), Arthur Blythe Trio - Chivas Jazz Festival 2003 #7, Out To Lunch (Remastered 1998/Rudy Van Gelder Edition), Dig Dis (Remastered 1999/Rudy Van Gelder Edition), The Comet Is Coming Announce New Album Hyper-Dimensional Expansion Beam, Listen To Domi & JD Becks New Album Not Tight, Robert Glasper Teams Up With Masego On All Masks, The British Jazz Explosion Of The Late 60s And Early 70s. Save my name, email, and website in this browser for the next time I comment. Ask ANY casual listener today to name a Gene Ammons song. I agree Include Budd Johnson and Curtis Amy pleaseGerry Mulligan way better than Al Cohn or Johnny Griffin or Dexter G. It should be PAT LABARBERA. Pharaoh Sanders at # number 47 really that is a joke dont know who came with this list but no way, GIANLUIGI TROVESI from Italy? i have his blue note collection and really love his sound. He and Monk had something special. Bud Freeman? People like Armstrong was the Mogdigliani of the trumpet or Lester Young, and Coleman Hawkins were the Van Goghs and Monets of the saxophone. mulligan must be much higher. Sonny Stitt is way too low on this list. ANDY KLAEHN from my hometown of Kitchener Waterloo, Ontario??!! You DO NOT know what a true Jazz Master. He was particularly fond of Eastern music and, as well as playing tenor saxophone, which he played in a hard bop style, he was a fluent flautist and oboist. But who can argue about Parker and Coltrane, or Coltrane and Parker? If he had lived beyond 34 years of age, who knows what he could have accomplished. Wheres Chris Potter? From Woodville, Mississippi, Young a hipster who spoke in his own jazz speak argot rose to prominence during the swing era of the 30s, playing with Count Basie and Fletcher Henderson. BENNY HILL was a funny show as well. Trane emptied the theater in Madison, Wisconsins UW Student Union. His sound was big, breathy and beefy. Also believe Michael Brecker should be higher, for sure. No David Murray? Sonny Criss. Read my comment up above Bill! Rouse used the whole range of the tenor from the bottom up, well into the altissimo. Check out AUTUMN IN MUSKOKA by googling THE CHRIS NOWAK PROJECT Vol.1 on YOUTUBE (just saxophone and piano). And Hank Mobley is overrated albeit there were some memorable recordings. Paul Desmond should have easily made the top 10!! When youre talking about art, which is what creating music is, it is subjective, and between the ears and eyes of the beholder, and so all opinions are uniquely different. 3) Lester Young. Gerry Mulligan should be in the top twenty! I am glad (as much as I am surprised) to see Hank Mobley, one of my favourite, scoring so high. Johnny Hodges made his name in Duke Ellingtons band, which he joined in 1928. And thats to say the curators, at some primal level, have equally been influenced, if not a stake in that influence. What is wrong with the world. He later teamed up with vibraphonist Bobby Hutcherson for an acclaimed series of collaborations. I remember transcribing and playing WINELIGHT as well as the saxophone solo. I especially liked her modulations in her improvised solo!! Had he stopped right there, Id agree that he was the best of Hawk and Lester as well as an important shaman, maybe an angel or a saint. YOU WILL HEAR ONE OF THE GREAT SAX PLAYERS IN THE WORLD FROM NEW ORLEANS. Though he was dubbed The Sugar Man, there was nothing sickly sweet about this Pittsburgh-born tenor mans robust and earthy style, whose DNA revealed blues cries, gospel cadences, and the influence of R&B saxophonist Illinois Jacquet. Not a very good list; Phil Woods, Serge Chaloff, Don Byas, Lucky Thompson, Wardell Gray, Booker Ervin, Cecil Payne, Steve Lacy, Bill Perkins, Chu Berry, better than at least 13 of your choices. Period. I caught him with Shep, then Pharoah Saunders (the loudest of all), and finally Eric Dolphy (in a Chicago Southside bar that had been filled when Stitt and Ammons were there but with Trane and Dolphy (no pianoor bandstandfor McCoy), the audience was small and indifferent to the music which, though tolerable, failed to communicate with the all-black Southside audience. If you are in the area, check out the BELMONT BESTIVAL every September. Hank Mobley (#9), Johnny Griffin (#10), Joe Henderson (#11), and Jackie McLean (#13) are all fine musicians, but significantly overrated here. Frank Foster? He also did very well in the singer pollls. Coltranes sense of lostness was unmistakable when he struck up an alliance with Ornette (a rank amateur in terms of technique compared to Coltrane). Lester Young should have been two. Not only is he a great player but also a great organiser. No Steve Lacy, the greatest soprano sax player of all time, makes this list a joke. A prolific purple patch at the Impulse! He made his recording debut in 1928 as a sideman, but, by the 30s, was leading his own swing band for which he was writing sophisticated charts that resulted in him doing arranging for the likes of Duke Ellington and Count Basie. Even so, while his music always looked forward, Blythe never lost sight of the traditions of the best jazz saxophonists before him. And what about Archie Shepp? This list has one huge omission Warne Marsh. The saxophone remains an iconic instrument in jazz, mastered by many musical geniuses. The leader and one funky saxaphone player from THE SHUFFLE DEMONS! Like so many jazz musicians that worked in the 50s including many of the best jazz saxophonists of the era Peppers career was blighted with drug addiction.
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